【作者】 郑绩；

【导师】 陈子善；

【作者基本信息】 华东师范大学 ， 中国现当代文学， 2006， 博士

【摘要】 本文从门类上提出了“政治剧”这一概念，以厘清以往左翼戏剧、国防戏剧、现实主义戏剧等概念混淆不清的状况。把中国现代政治剧置于泛政治文化语境中，认为它在创作上契合了作家与大众的政治焦虑心理，具有天然的大众性特征。同时还描述了政治剧的发展过程及其本体模式，讨论了它的大众化进程。阐释了大众如何在被改造的过程中以自身的力量影响了政治剧的创作策略，最终在剧本中实现了改造者与被改造者的合谋。通过对剧本诸元素的分析，讨论它在表意策略上如何舒解和释放大众心理上的政治焦虑，以使理念被更充分地接收，并进而评价政治剧在艺术上的得失及影响。 前言与结语之外，论文共分四章。 第一章对中国现代政治剧这一全新的概念进行了诠释与定义，辩析了“五四”文学与革命文学之间的传承与差异，对如何评价政治剧提出了新的视角。厘清政治剧的创作初衷，并阐释了其发生的泛政治文化及政治焦虑心理。 第二章就政治剧的发生、发展、高潮与衰退等各阶段进行了史的评述。通过追踪其发展脉络来观察它向大众靠拢、背离的过程。 第三章着重讨论大众如何改造政治剧的形态。精英在与大众的角力中完成了自觉的自我改造，启蒙者出于自我克服的需要向被启蒙者处寻求资源，并向大众输送意义。在这个过程中，工农兵的形象逐渐确立，娱乐显示出力量，使得民间审美和农民意识在政治剧中以异形的方式得以保存。 第四章则论述了政治剧的作用机制。通过分析它的模式要素与形式特征来解释它如何为意识形态的传播找到了最佳方式。同时着重阐述了政治剧在面对最难以克服的死亡恐惧和民间意识方面有何策略。更多还原

【Abstract】 The thesis advances the concept of "the Political Drama" in the drama category. It can do help to ameliorate the confusion situation that several concepts mix up, such as "left wing drama", "national defense drama", "realism drama", etc. The thesis puts Chinese political drama into an extensive political-cultural environment and so believes it corresponded to political anxiety of both authors and the masses. Because of its natural character of masses, political drama owned unique advantage in striving for audience. At the same time, the thesis describes the development process and mode of the political drama, discusses about its process in the masses and explains the masses how to affect the produce policy of the political drama by their own power in the course of being reconstructed and finally realize the cohort between modifier and modifior in plays. By analyzing various factors of plays, the thesis discusses it how to release the political anxiety of the masses. Then, the thesis gives out the political drama’s artistic and loss.Besides forewords and epilogue, the thesis has four chapters. The first chapter annotations and defines the bran-new idea of the political drama, argues and dissects undertake and difference between "wusi" literature and revolution literature, distinct the original intention of the political drama, and dispels the extensive politics culture and politics anxiety psychology when it happened.The second chapter comments the drama history of the beginning, development, climax and decline. Though pursuing it’s skeleton to observe the progress of its approximation and deviation towards the masses.The third chapter emphasizes on the masses how to modify the expression of the political drama. Intellectual self-consciously finished self-remolding though wrestling with the masses. The torchbearer searched resource form torchbearor because of the requirement of self-conjure and at the same time, transported meaning to the masses. In the whole process, visualize of "gongnongbing" was gradually established. Entertainment shows power that it saves civilian taste and farmer consciousness in the political drama though they exist in twisty shape.The forth chapter discusses the political dram’s action mechanism. By analyzing its mode essential and form character, this chapter explains how it find out the best way to diffuse ideological, and stress expatiates its strategy in overcoming death dread and civilian intentions.更多还原