【作者】 李锦；

【导师】 张学忠；

【作者基本信息】 陕西师范大学 ， 中国古代文学， 2006， 博士

【摘要】 幽默文学经过先秦、两汉和魏晋南北朝的发展，到唐代开始出现初步的繁荣景象，然而对唐代幽默文学的研究还不尽如人意。虽然有个别学者注意到了唐代一些文学作品的幽默特质，但很多已撰写发表的论文并不是专门研究幽默文学作品的，其研究的重心并不在幽默文学上。另外，对唐代幽默文学的研究还限于个别作家或个别体裁的作品，并没有从整体上对这一阶段的幽默文学进行总结。对唐代幽默文学的研究还存在认识不足、关注不够和评价偏低的情况。因此本文拟对唐代的幽默文学作品做一梳理，力图对这一阶段的幽默文学有一个较为客观的评价。 本文的导论部分主要阐明了研究的范围、对象和研究意义，对中国的幽默文学传统予以肯定，并对幽默文学的概念给予了限定。对本课题的研究现状也进行了分析评价，指出对唐代幽默文学进行研究是有价值且可为的。 第一章主要对幽默文学在前代的发生、发展进行了漫溯，并分析了唐代幽默文学取得初步繁荣的表现和原因。第二章到第四章将幽默文学按照体裁分别论述。主要归纳了唐代幽默诗歌的主要类型，总结了文人笔记塑造的各类幽默形象，并且对唐代其他幽默文艺形式也分别给予了论述，从而证明唐代的幽默文学作品丰富、形式多样，的确达到了幽默文学的较高水平。第五章和第六章是对唐代幽默文学从整体上予以探讨，首先分析了唐代幽默文学不同于其他朝代的鲜明特点，具有功用性和娱乐性、含蓄性和通俗性的和谐统一，真正做到了随性而发，雅俗共赏。另外对唐人创造幽默的技巧加以总结，发现在语言要素、修辞手法、情境场景和逻辑法则四个方面，唐人制造幽默的技巧可谓丰富多彩，令人眼花缭乱。第七章到第九章是论文的最后一个部分，主要是从唐代幽默文学对社会习俗、风尚和文人个性的反映和表现入手，发现其反映的社会内容涉及到饮食、服饰、婚姻、娱乐游戏、生养死葬、起居行旅和信仰等多个方面，非常丰富。尤其是其中反映出当时独特的嘲戏、饮酒和狎妓三种时代风尚，可以帮助我们更充分、更全面地了解唐代，了解唐人。另外幽默文学所反映出的文人自信狂狷、机智敏捷、幽默开朗和豁达乐观的气质个性也令人神往。 本文得出的主要结论如下： 1、唐代是中国幽默文学发展史上的一个重要阶段，当时宽容开放、自由轻松的社会风气对幽默是一种支持和推崇的态度，这给幽默文学带来了繁荣的契机。更多还原

【Abstract】 After it’s prolonged and sufficient development from Qin Dynasty to Northern and Southern Dynasties, humorous literature embarked on flourishing in Tang Dynasty. However, up to now the researches concerning humorous literature in that period are not satisfactory. Although some scholars attach importance to the humorous characteristics of the literary works, there have been few publications concentrating on humorous literature. What’s more, the studies of humorous literature have been restricted to some authors and a few limited styles; there is no thorough, comprehensive study as to humorous literature in the era. Hence the paper aims to render on in-depth study and comparatively objective remarks on humorous literature in Tang Dynasty based on some research achievements of the previous learners.In the part of the introduction, the scope, target and significance of the study are illustrated. On the one hand, the author praises the tradition of Chinese humorous literature and defines the term "humorous literature". On the other hand, the current development of the topic in discussion is analysed and commented and the fact is pointed out that it is of significance to study humorous literature in Tang Dynasty.Chapter One traces back the history of humorous literature and explores the underlying reason of initial flourishing of humorous literature in Tang Dynasty.Chapters Two to Four the author expounds humorous literature in different styles. The following points are included: the principal types of humorous poems are summed up; the various humorous figures depicted in literary works are presented and other literary forms of humours in Tang Dynasty are concluded, which confirms the fact that there were abundant and diverse forms of humorous literature in Tang dynasty.Chapters Five and Six explore humorous literature in the era as a whole. The paper tries to explicate the distinctive characteristic of humorous literature in Tang Dynasty, which is practical and entertaining, implicit and popular and suitable to both refined and popular tastes. In addition, the various skills such as language elements, rhetoric devices, different scenes, logical rules are summed up in the chapters.Chapter Seven to Nine are the last part of the paper. The author thinks the social phenomena reflected in humorous literature in the era are so rich and colourful, ranging from food, costume and marriage to birth and death from entertainment daily life and travel to religion through analysis on the social customs and the writers’ unique personalities. In particular, the prevalent practices—sarcastic works, drinking and更多还原