【作者】 李红；

【导师】 李无未；

【作者基本信息】 吉林大学 ， 历史文献学， 2006， 博士

【摘要】 《切韵指掌图》一直被认为是最古的韵图，受到了学者们的关注，对它的研究可以说相当全面。但是对一种历史文献，我们必须括清其历史面貌，分辨出它的各个层次，去除迷花障眼的成份再加以研究，才能真正地探索出这种文献蕴含的信息。对于历史文献的整理与研究，文献的基础不探讨明白，无异于无本之木。《切韵指掌图》的研究者们对其所反映的语音现象及其作者、年代讨论尤多，而对《切韵指掌图》的成书过程却未很少论及。因此本文试图从探讨《切韵指掌图》的文献形成模式入手，换一个角度看问题，打破思维定式进行穷尽式研究，采用新的方法，广泛联系同时代经济、政治、文化等多方面的情况，对《切韵指掌图》进行全面地研究。更多还原

【Abstract】 QieYunZhiZhangTu , one of the oldest YunTu, has been researching by many scholars, even regarded to be overall. However, the false phenomenon of the parts representing all has been in existence in many disputes, for example, when it comes to the evidence of QieYunZhiZhangTu, many schools hold their own views which they’ve always got from the pieces of QieYunZhiZhangTu. So in order to get the real information from the ancient historical evidences, we must probe in historical background, distinguish a variety of levels and eliminate delusive elements. That is, if we haven’t got true historical evidence, how can we make any conclusions on the basis of it? We must split the study of ZhiZhangTu into several processes that which parts have been reserved from the early documents, which reflect the contemporary sound, which have been supplemented, which have been filled falsely, etc. As soon as we manage to deal with these problems, we are probable to acquire the most truth-closing conclusion. On the basis of these principles in study of ZhiZhangTu, we can surely shorten the distance between the academic sounds and the real ones.The paper consists of five chapters.In Chapter One we make a general survey of ZhiZhangTu and get a clear clue of its styles of literature. First we analyze the prologue of Sima Guang, guide parts, the phenomena of identical consonants and vowels and four kinds of sounds and speech of distinct sounds, thirty-six letter pictures, and twenty-six letter pictures of sounds which have the identical places of articulation but distinct manners, ZhiZhangTu, and twenty general contents. On the basis of fully thinking about the political background of the era of ZhiZhangTu, we discuss the headstream so as to deduce the name of QieYunZhiZhangTu. Second, this part introduces and repartitions the reserved editions and check on the four editions. Third and last, this part discusses lists更多还原