新时期文学跨体式语言的语体学研究

【作者】 周芸；

【导师】 李熙宗；

【作者基本信息】 复旦大学 ， 汉语言文字学， 2004， 博士

【摘要】 本文从语言功能的角度出发，以文体和语体之间的关系为立足点，在语体学理论及其研究方法的基础上，借鉴认知心理学关于概念研究的理论、语境理论、标记理论、文艺理论、心理空间理论、语用关联理论、语义理论、语篇分析理论、认知语言学的象似性理论及其研究方法，从认知、语境、语用、功能、历时的角度，对新时期文学跨体式语言进行了全面、系统和深入的阐释。论文主要研究了以下问题：① 根据新时期文学跨体式语言的共时研究和跨体式语言在整个中国文学发展史中的历史渊源，揭示跨体式语言与跨文体写作、文体、语体之间的关系，并从语体学的角度把跨体式语言界定为：为了达到某种特殊的修辞效果，在文艺语体的特定表现形式中，临时嵌入与其语体色彩不相容的其他语体的语言手段及其结构秩序或非语言符号形式而形成的一种言语现象；同时认为，跨体式语言既是文学内部发展机制的必然趋势及其对社会历史文化语境的合理选择，更是文学艺术的他律性与自律性的辩证统一。② 根据认知心理学关于“概念的形成是一个围绕原型建构的模糊识别过程”的理论，阐释不同语体之间的关联方式和作为一种原型范畴的文艺语体，并由此提出语体心理场的观点，从而把动态挖掘跨体式语言的语用机制和静态分析跨体式语言的结构特征有机结合起来，从全新的理论视角展开跨体式语言的形成函数、语体心理空间模式、线性化策略、个别式跨体语言的修辞焦点和语义视点、整体式跨体语言的语用视点及其言语结构秩序和语义结构的研究。③ 以尊重不同语用主体、不同语言风格并存为研究原则，合理评价新时期文学跨体式语言的修辞功能和文体功能、跨体式语言在文艺语体和文学体裁发展中的价值和意义；同时运用近40万字的语料统计和分析结果，客观论证运用跨体式语言文学作品的语体定位和体裁归属。本文以语言为本体，运用共时和历时、动态和静态、宏观和微观相结合的研究方法，既把文学语言自身的发展规律和时代进步、社会发展对文学语言的需要密切结合起来，为现代汉语语体的科学分类提供了理论依据，又为文艺理论研究，尤其是文体学研究，提供了语言学方面的理论资源和研究方法。更重要的是，本文还充分激活了可供文学创作利用的语言资源、修辞技巧，从而为人们不断提高文学语言的语用能力提供了具体的帮助。更多还原

【Abstract】 In this paper we deal cross-style language of the New Period Literature with the application of the theory of contemporary cognitive psychology, context theory, markedness theory, literature theory, mental space theory, relevance theory, semantic theory, iconicity theory, the theory of discourse analysis on the basis of the theories and methods of stylistics from the linguistic functions and the relations of style and genre: (1)We unveil the relations of cross-style language and cross-genre writing, genre, style by studying cross-style language in both the New Period Literature and the development history of Chinese literature. At the same time, we regard cross-style language from stylistics as an equitable choice, which reflects a law of the development of literature and social culture situation, and a dialectical unity of self-discipline and discipline of literature and art. (2)According to the theory of contemporary cognitive psychology, we interpret the conception of literary style as a kind of prototypical categorization and adduce the viewpoint of psychology field of style. In view of the above, we expound the pragmatic mechanism of cross-style language and the structural characteristics of cross-style language from a completely new study angle. (3)On the basis of the study principle of respecting different writers and different language styles, we evaluate the functions of cross-style language of the New Period Literature on style and genre, the values and meanings of cross-style language in literary style and literary genre as well as the disciplinary nature of literary creations which employ cross-style language.This paper in which we regard language as the basis is intended to provide theoretical basis for stylistics in Chinese, studies of literature with the methods of synchronic analysis and diachronic analysis, dynamic analysis and static analysis, macroscopic analysis and microscopical analysis. Furthermore, our aim is to provide language resource and rhetorical skill for literary creation possible in accordance with stylistic law.更多还原