【作者】 胡期光；

【导师】 邹德侬；

【作者基本信息】 天津大学 ， 建筑设计及其理论， 2004， 博士

【摘要】 本论文旨在：在“现代艺术整体框架”中，重新剖析和审视中国现代建筑的艺术性问题。以期发现新规律、得出新结论，修正以往的理论缺陷，为在这一大课题下进一步的研究工作提供基础。在此研究目的下，首先，对作为中国现代建筑艺术发展的背景和参照的西方现代艺术和现代建筑，进行了深入剖析和再审视，对其本质精神、进步特征、创新模式，以及主要艺术现象等做了系统的总结和评析。并将其“创造”的本质精神，作为评判艺术进步的首要标尺。接下来，全面研究和分析了中国现代建筑艺术发展的全过程和各种艺术现象。在此基础上，挖掘了中国现代建筑艺术不同于西方的“特异性”——由古典“化成”现代、中国式的“表情达意”、“主旋律”的艺术表达、独特的“地域性”探求等；指出以往未被充分关注的“隐患”——“中西结合”的消极作用、作品“生成”中的制度缺陷、建筑类型间的不平等艺术地位等；破解了在1949-1970年代末的近30年间，在现代艺术处于“真空”状态的特殊环境下，现代建筑得以在中国存在、甚至取得一些看得见的进步的客观原因；廓清众所关注的“实验建筑”与“先锋建筑”的关系，深入分析了中国“先锋建筑”的积极、消极因素，并将其与老一辈建筑师的务实“实验建筑”进行比较，指出“实验”建筑艺术的真正价值。最后，作为本论文的结语，基于本课题研究中得出的规律性认识和结论，对中国现代建筑艺术的未来发展进行了简略的前瞻。更多还原

【Abstract】 This thesis makes a research on the Artistic Issues of the Chinese modern architecture in the frame of modern art，trying to draw some new conclusions， find out some new laws and correct some false concepts. Based on these，the author wants to set up a foundation for the continuous works on this great topic.For all these purposes，firstly，the author analyses and revalues the essence，the characters，the modes of innovations and the main phenomenon of western modern art and modern architecture，and regards their essential spirit of creation as the chief standard of progressing. Secondly，the author analyses and revalues the whole history and the artistic trends of the Chinese modern architecture. Base on these，the “special characters” of the Chinese modern architecture are dug out，such as changing classical factors into modern ones，expressing emotion in Chinese styles，and the embodying of the “main tune” and vernaculars. The hidden troubles in the Chinese modern architecture are exposed，such as the passive effects of the idea of “combining the Chinese factors with western ones”，the limitations in the rules that control the process of a work-piece’s “birth”，the inequality on the artistic status among the varies types of buildings. The history of the Chinese modern architecture during 1949-1970s is also researched. In those 30 years，the modern art was in “vacuum” in China，meanwhile the modern architecture was able to exist，and even made some progresses. The author presents some reasons to explain this phenomenon. Based on the study of the “Experiment architecture” as a hotspot topic，the author declares that the Experiment architecture is but avant-garde，and digs out its’ positive and passive factors. Comparing the Experiment architecture with the old generation architects’ architectural experiments，the author points out the true values of the concept of experiment.Finally，based on all the conclusions drawn from the researches in this thesis，the author intends to draw an outline of the Chinese modern architecture’s progress in the coming years.更多还原